Shortly thereafter, Armstrong bragged about the child to his manager, Joe Glaser, in a letter that would later be published in the book Louis Armstrong In His Own Words (1999). He had a string of pop hits beginning in 1949 and started making regular overseas tours, where his popularity was so great, he was dubbed Ambassador Satch.. It won him a Grammy for best vocal performance. 1 hit around the world, including in England and South Africa, and eventually became one of Armstrong's most-beloved songs after it was used in the 1986 Robin Williams film Good Morning, Vietnam. 34-56 107th Street, Queens, NY 11368 718-478-8274 2023 Louis Armstrong House Museum, 34-56 107th Street, Queens, NY 11368 718-478-8274, The Louis Armstrong House Museum is a constituent of the. He popularized scat singing and was the first musician to have his solo on a recording (Rodgers 85). After a successful engagement in Las Vegas, Armstrong began taking engagements around the world, including in London and Washington, D.C. and New York (he performed for two weeks at New York's Waldorf-Astoria). Love, baby - love. At His Majestys command, several of the biggest names in jazz took their talents to Buckingham Palace, and in 1932, Armstrong was requested for a royal performance. While performing with Tate in 1926, Armstrong finally switched from the cornet to the trumpet. He performed all over the world in the 1950s and '60s, including throughout Europe, Africa and Asia. The song for which Pops is most widely remembered, What a Wonderful World, was almost never his song at all. The civil rights movement was growing stronger with each passing year, with more protests, marches and speeches from African Americans wanting equal rights. The jazz magazine Down Beat agreed. WebLouis Armstrong was the protean genius that made African American classical music mislabeled as jazz the most important music event of the 20th century. Louis Armstrong: A Cultural Legacy In July, Armstrong sailed to England for a tour. The latter performance is one of Armstrong's best known works, opening with a stunning cadenza that features equal helpings of opera and the blues; with its release, "West End Blues" proved to the world that the genre of fun, danceable jazz music was also capable of producing high art. While he still had to work odd jobs selling newspapers and hauling coal to the city's famed red-light district, Armstrong began earning a reputation as a fine blues player. In December of that year, he was called into the studio to record the title number for a Broadway show that hadn't opened yet: Hello, Dolly! He was a master of the trumpet and a skilled improviser, and his style of playing influenced many other jazz musicians. For this, he is revered by jazz fans. The musician didn't let the incident stop him, however, and after taking a few weeks off to recover, he was back on the road, performing 300 nights a year into the 1960s. ", Armstrong's fully healed lip made its presence felt on some of the finest recordings of career, including "Swing That Music," "Jubilee" and "Struttin' with Some Barbecue.". However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. Armstrong had a great influence on Henderson and his arranger, Don Redman, both of whom began integrating Armstrong's swinging vocabulary into their arrangementstransforming Henderson's band into what is generally regarded as the first jazz big band. His Top Ten version of "Hobo, You Can't Ride This Train," in the charts in early 1933, was on Victor Records; when he returned to the U.S. in 1935, he signed to the recently formed Decca Records and quickly scored a double-sided Top Ten hit, "I'm in the Mood for Love"/"You Are My Lucky Star.". He also began appearing in the orchestra of Hot Chocolates, a Broadway revue, and was given a featured spot singing "Ain't Misbehavin'."
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